Songs of Kabir
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The poet Kabór is one of the most interesting personalities in the history of Indian mysticism. A great religious reformer, the founder of a sect to which nearly a million northern Hindus still belong, it is yet supremely as a mystical poet that Kabór lives for us. A beautiful legend tells us that after his death his Mohammedan and Hindu disciples disputed the possession of his body; which the Mohammedans wished to bury, the Hindus to burn. As they argued together, Kabór appeared before them, and told them to lift the shroud and look at that which lay beneath. They did so, and found in the place of the corpse a heap of flowers; half of which were buried by the Mohammedans at Maghar, and half carried by the Hindus to the holy city of Benares to be burned.
Rabindranath Tagore
Rabindranath Tagore (1861–1941) was a Nobel Laureate in literature. (1913). He wrote successfully in all literary genres, but was, first and foremost, a poet, publishing more than fifty volumes of poetry. He wrote novels, plays, musical dramas, dance dramas, essays, travel
diaries and two autobiographies. He also left numerous drawings and paintings, and songs for which he wrote the music himself. He was the composer of the national anthem of independent India and Bangladesh. He was born in Calcutta, travelled around the world, and was knighted
in 1915. He gave up his knighthood after the Jallianwala Bagh massacre in 1919.
Among his many works are Manasi (1890), Sonar Tari (1894), Gitanjali (1910), Gitimalya (1914), Balaka (1916), The Gardener (1913), Fruit-Gathering (1916), The Fugitive (1921), Raja (1910), Dakghar (1912), Achalayatan (1912), Muktadhara (1922), Raktakaravi (1926), Gora (1910), Ghare-Baire (1916) and Yogayog (1929).
More by Rabindranath Tagore
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