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August Strindberg's classic portrayals of secrets and lies, seduction and power – both written in the summer of 1888 – in brilliant new versions by Howard Brenton.
Miss Julie begins as a flirtatious game between the daughter of a wealthy landowner and her father's manservant, and gradually descends, over the course of a long and sultry Midsummer's Eve, into a savage fight for survival.
In Creditors, young artist Adolf is deeply in love with his new wife Tekla – but a chance meeting with a suave stranger shakes his devotion to the core. Passionate, dangerously funny, and enduringly perceptive, Strindberg considered this wickedly enjoyable black comedy his masterpiece.
Both plays premiered in co-productions between Jermyn Street Theatre, London, and Theatre by the Lake, Keswick, directed by Jermyn Street's Artistic Director Tom Littler.
'Riveting... as real and sensational now as ever and as socially and politically pertinent' - Guardian on Miss Julie
'Superlative… an unexpected treat of the highest order' - Evening Standard (Best Productions of 2017) on Miss Julie
August Strindberg
Harry G. Carlson teaches Drama and Theatre at Queens College and the Graduate Center, City University of New York. He has written widely on Swedish drama and theatre and has been honored in Sweden for his books, Strindberg and the Poetry of Myth (California, 1982) and Out of Inferno: Strindberg's Reawakening as an Artist (1996), play translations and critical essays.
More by August Strindberg
Howard Brenton
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Howard Brenton is one of the UK's most respected dramatists. His acclaimed plays include The Romans In Britain, Bloody Poetry, Weapons of Happiness, Pravda with David Hare and, more recently, In Extremis, Anne Boleyn and Doctor Scroggy's War for Shakespeare's Globe, Paul and Never So Good for the National Theatre, and 55 Days, The Arrest of Ai Weiwei, Drawing the Line and Lawrence After Arabia for Hampstead Theatre. He also wrote fourteen episodes of BBC spy drama Spooks.
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