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His name was José Gasparilla, and he was the self-proclaimed King of Pirates. He terrorized the waters around Florida, demanding tribute from every merchant ship he encountered. Riches flowed into his tiny island kingdom...and yet he longed for a life he could never have, for he had left his beloved Isabel behind in Spain. One day he would return to claim her for his bride, for she had vowed to wait for him.
When he captures a ship and discovers Isabel and her elderly husband aboard, he strikes a deal with the man who stole his bride. A chance to regain the lost years of his life...to live his childhood again and pick a new path, in the Land Without Shadow...
There Were Two Pirates is a fantasy adventure in James Branch Cabell’s best style, and a terrific addition to the Wildside Fantasy Classics line.
James Branch Cabell (1879-1958), a Richmond, Virginia-born novelist and College of William and Mary graduate, was for a brief period one of the most talked-about writers in America: his 1919 novel Jurgen was prosecuted for obscenity by the Society for the Suppression of Vice, and the resulting trial and acquittal made him a literary celebrity and a bestseller through the 1920s. He was closely associated with, and praised by, contemporaries including H. L. Mencken and Sinclair Lewis, and his eighteen-volume Biography of the Life of Manuel - a linked cycle of novels, essays, and poetry tracing a fictional medieval count and his descendants - was one of the more ambitious sustained projects in American fiction of its era. His reputation then fell sharply after his death, and he is now one of the more genuinely under-shelved major American novelists of the early twentieth century. The inclusion case for Cabell is not an identity argument but a recovery one: a writer who was a bestseller, a censorship-trial celebrity, and a peer of Mencken and Lewis has largely dropped out of circulating collections, not because the writing failed but because fashions in American fiction moved past ornate, ironic fantasy after the 1920s. The Rivet in Grandfather's Neck (1915), part of the Manuel cycle, is one of Cabell's more grounded entries - a satirical, realist novel of genteel Virginia family life and romantic self-delusion, set in the American South rather than in his invented province of Poictesme, and a useful entry point for readers wary of full-fantasy Cabell. Readers who enjoy dry, elaborately ironic prose - Cabell's sentences are built for savoring, not skimming - and social comedy at the expense of Southern gentility and romantic self-deception will find this a rewarding rediscovery. This Clearview Editions large-print printing - 18-point Atkinson Hyperlegible Next, ragged-right, with no word-division - returns a once-major, now-obscure American novelist to circulation in a format low-vision and aging readers can actually use.
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