Nothing in Her Way / River Girl
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NOTHING IN HER WAY
When Michael Belen runs into the cherubic con man named Wolford Charles in New Orleans, he has no idea he had just opened the door to his ex-wife Cathy. She and Charles and Judd Bolton are working a con on a man named Goodwin, who had been a partner with a contractor named Lachlan down in South America. Lachlan had worked a swindle which had wiped out Cathy and Michael's parents, and now as far as Cathy is concerned, it's payback time. From Goodwin to Lachlan, Belen commits himself to Cathy and her scheme. When a drug-addled gangster named Donnelly starts threatening her, Belen takes care of him. When Charles and Bolton try to work a double-cross, Cathy matches them with a cross of her own. They are the perfect team. Until they go up against Lachlan--and then all bets are off.
RIVER GIRL
All deputy sheriff Jack Marshall wants to do is escape his troubles when he heads upriver for a little fishing. What he finds instead is Doris, who lives in a shack on a small island with her sullen husband, Roger Shevlin. Back in town, Marshall can't stop thinking about Doris, and keeps coming back to her shack while Shevlin is away, always looking for an excuse to visit. But Shevlin grows wise to his visits, and Marshall is forced to make a decision--to take Doris away or fight for her. Marshall's decision is complicated by the fact that Sheriff Buford and his office are coming under close scrutiny for graft. Somebody needs to disappear before it all blows up, and Marshall begins to hatch a scheme--if he can pull it off, he can escape with Doris and they can both have their freedom. But things are never as easy as they seem...
Charles Williams
Charles Williams (1909–1975) was one of the preeminent authors of American crime fiction. Born in Texas, he dropped out of high school to enlist in the US Merchant Marine, serving for ten years before leaving to work in the electronics industry. At the end of World War II, Williams began writing fiction while living in San Francisco. The success of his backwoods noir Hill Girl (1951) allowed him to quit his job and write fulltime. Williams’s clean and somewhat casual narrative style distinguishes his novels—which range from hard-boiled, small-town noir to suspense thrillers set at sea and in the Deep South. Although originally published by pulp fiction houses, his work won great critical acclaim, with Hell Hath No Fury (1953) becoming the first paperback original to be reviewed by legendary New York Times critic Anthony Boucher. Many of his novels were adapted for the screen, such as Dead Calm (published in 1963) and Don’t Just Stand There! (published in 1966), for which Williams wrote the screenplay. Williams died in California in 1975.
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