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Modeled on the principles of feudal society, the feminist enterprise of designing male and female social classes has been several centuries in the making. Well before Marx and Marxism the feminist tradition was orchestrating its own version of the long march through the institutions of society, agitating for social and legal changes that would ultimately free women of most responsibilities while leaving men's responsibilities unchanged or increased. Peter Wright explores the nature of political feminism and the rhetorical devices that have proven so decisive for the success of the movement. Among those tactics are appeals to women's biological vulnerabilities and the necessity of male chivalry to secure women's protections and rise in status.
Peter Wright
Peter Wright made his debut as a dancer with Ballets Jooss during World War II. He created his first ballet, A Blue Rose, for Sadler’s Wells Theatre Ballet in 1957. Wright’s productions of the classics now feature in the repertories of companies around the world. In 1969 he joined The Royal Ballet as Associate to the Directors, later Associate Director. In 1990 Wright was presented with the Queen Elizabeth II Coronation Award by the Royal Academy of Dance. In 1991 he was made a Fellow of the Birmingham Conservatoire of Music and received an Honorary Doctorate from London University. He was awarded a Knighthood (1993), an Honorary Doctorate of Letters from the University of Birmingham (1994), the De Valois Award for Outstanding Achievement in Dance (2004) and the Centenary Award for Dance (2013). He is President of the Benesh Institute, a Vice-President of the Royal Academy of Dance and Patron of the London Ballet Circle.
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