East of Laughter
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There have always been the Twenty One Pillars of Rectitude who sustain the World: Seven Saints to insure the sanity of the world; Seven Technicians to insure its correct mechanical working; and Seven Scribbling Giants to write its scenarios and histories. The Saints and Technicians were always in plentiful supply. But not so the Scribbling Giants.
So when Atrox Fabulinus, the greatest of the Scribbling Giants, was most foully murdered with his own nine-foot-long goose feather quill, the World staggered with the collapse of its most sustaining pillar. Then the remaining Scribbling Giants (all of them very old and tired) cried out for replacements so they could go to their restful deaths.
This is the story of how the World, at the uneven changing of its supporting pillars, staggered and reeled.
It is also the story of the Group of Twelve, an Group remarkable for its creativity and elegance, and how it set out to sustain the World in its new days of tottering terror.
Whether the Group will be successful, indeed whether they have been successful, remains to be answered on the ninth day of the week, east of Laughter.
R A Lafferty
R. A. Lafferty was one of the most original and unpredictable voices in twentieth-century science fiction and fantasy. Born in Iowa and long associated with Tulsa, Oklahoma, Lafferty came late to professional fiction but quickly developed a reputation for stories unlike anyone else's: comic, theological, folkloric, grotesque, learned, exuberant, and structurally strange. His prose often sounds as though tall tale, myth, barroom anecdote, Catholic metaphysics, and science fiction had been fused into a single impossible instrument.Lafferty's best-known works include the novel Past Master and the story collections Nine Hundred Grandmothers, Strange Doings, and Does Anyone Else Have Something Further to Add? His fiction resists easy classification, but that resistance is precisely what has kept it alive for generations of readers and writers. He brought to science fiction a wildness of voice and imagination that made even familiar premises feel newly dangerous, comic, and uncanny.
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