Past Master
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Wolf Hall meets The Man in the High Castle in this mind-bending science fiction classic, now presented in an authoritative new edition from Library of America
Plucked from time, Sir Thomas More arrives on the human colony of Astrobe in the year 2535 A.D., where there is trouble in utopia. Can he and his motley followers save this golden world from the Programmed Persons, and the soulless perfection they have engineered?
The survival of faith itself is at stake in this thrilling, uncategorizable, wildly inventive first novel—but the adventure is more than one of ideas. As astonishingly as Philip K. Dick and other visionaries of the 1960s new wave, Lafferty turns the conventions of space-opera science fiction upside-down and inside-out. Here are fractured allegories, tales-within-tales, twinkle-in-the-eye surprises, fantastic byways, and alien subjectivities that take one's breath away. Neil Gaiman has described Lafferty “a genius, an oddball, a madman”; Gene Wolfe calls him “our most original writer." Long-hailed by insiders and now with an introduction by Andrew Ferguson as well as unpublished omitted passages included in the notes, Past Master deserves to perplex and delight a wider audience.
R A Lafferty
R. A. Lafferty was one of the most original and unpredictable voices in twentieth-century science fiction and fantasy. Born in Iowa and long associated with Tulsa, Oklahoma, Lafferty came late to professional fiction but quickly developed a reputation for stories unlike anyone else's: comic, theological, folkloric, grotesque, learned, exuberant, and structurally strange. His prose often sounds as though tall tale, myth, barroom anecdote, Catholic metaphysics, and science fiction had been fused into a single impossible instrument.Lafferty's best-known works include the novel Past Master and the story collections Nine Hundred Grandmothers, Strange Doings, and Does Anyone Else Have Something Further to Add? His fiction resists easy classification, but that resistance is precisely what has kept it alive for generations of readers and writers. He brought to science fiction a wildness of voice and imagination that made even familiar premises feel newly dangerous, comic, and uncanny.
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