Red Gardenias
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Private eye Bill Crane is back, in his fifth and final case, working and drinking as usual with his old sidekick, Doc Williams, and a new member of the gang, Ann Fortune, who is posing as his girlfriend - and disapproves of his carousing.
The trio has been sent to a Chicago suburb to investigate a murder and death threats made to the family of an industrial magnate. Alternately impeded and abetted by the many attractive women of the family, Crane cracks the case in his own inimitable way, following a trail of clues including the perfume of gardenias, the lipstick marks on the dead man's face and the crimson cat.
Jonathan Latimer
Jonathan Latimer (1906–1983) was a bestselling author and screenwriter. Born in Chicago, he began his career as a crime reporter for the Herald Examiner, working there until 1935, when he set out on a twisting road to Hollywood, which included stints as a dude rancher, a stunt man, and a publicist. In the late 1930s he began writing screenplays for MGM, producing the scripts for several classic noir films, including The Big Clock (1948) and the adaptation of Dashiell Hammett’s The Glass Key (1942), which starred Alan Ladd. All the while, Latimer was writing fast-paced mystery novels such as The Lady in the Morgue (1936) and The Dead Don’t Care (1938). After fighting in World War II, he returned to Hollywood, where he continued writing novels and became a staff writer for the Perry Mason show.
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