The Search for My Great-Uncle's Head
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In an eerie country house, a cruel old man is decapitated When Peter Coffin's mysterious great-uncle Tobias summons the family to his manor in the wilds of Michigan, his aunt warns him to stay away. Peter goes anyway, arriving at the edge of the sprawling estate well after midnight. Wading through the muck in the darkness, he passes a fearsome figure on the road, and when he arrives at the front door, he is greeted by cousins bearing shotguns. An ax-murdering madman is on the loose, but just as dangerous are the creatures Peter will encounter inside the house: his family. When old Tobias is murdered, both his head and his will go missing. The police suspect the ax killer, but Peter knows better. After all, if there is one thing his aunt has taught him, it is that you should never trust a Coffin.
Jonathan Latimer
Jonathan Latimer (1906–1983) was a bestselling author and screenwriter. Born in Chicago, he began his career as a crime reporter for the Herald Examiner, working there until 1935, when he set out on a twisting road to Hollywood, which included stints as a dude rancher, a stunt man, and a publicist. In the late 1930s he began writing screenplays for MGM, producing the scripts for several classic noir films, including The Big Clock (1948) and the adaptation of Dashiell Hammett’s The Glass Key (1942), which starred Alan Ladd. All the while, Latimer was writing fast-paced mystery novels such as The Lady in the Morgue (1936) and The Dead Don’t Care (1938). After fighting in World War II, he returned to Hollywood, where he continued writing novels and became a staff writer for the Perry Mason show.
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