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Amateurs versus professionals - a social history and memoir of English cricket from 1953 to 1963.
The inaugural Gentlemen v. Players first-class cricket match was played in 1806, subsequently becoming an annual fixture at Lord's between teams consisting of amateurs (the Gentlemen) and professionals (the Players). The key difference between the amateur and the professional, however, was much more than the obvious one of remuneration. The division was shaped by English class structure, the amateur, who received expenses, being perceived as occupying a higher station in life than the wage-earning professional. The great Yorkshire player Len Hutton, for example, was told he would have to go amateur if he wanted to captain England.
GENTLEMEN & PLAYERS focuses on the final ten years of amateurism and the Gentlemen v. Players fixture, starting with Charles Williams' own presence in the (amateur) Oxbridge teams that included future England captains such as Peter May, Colin Cowdrey and M.J.K. Smith, and concluding with the abolition of amateurism in 1962 when all first-class players became professional. The amateur innings was duly declared closed.
Charles Williams, the author of a richly acclaimed biography of Donald Bradman, has penned a vivid social-history-cum-memoir that reveals an attempt to recreate a Golden Age in post-war Britain, one whose expiry exactly coincided with the beginnings of top-class one-day cricket and a cricket revolution.
Charles Williams
Charles Williams (1909–1975) was one of the preeminent authors of American crime fiction. Born in Texas, he dropped out of high school to enlist in the US Merchant Marine, serving for ten years before leaving to work in the electronics industry. At the end of World War II, Williams began writing fiction while living in San Francisco. The success of his backwoods noir Hill Girl (1951) allowed him to quit his job and write fulltime. Williams’s clean and somewhat casual narrative style distinguishes his novels—which range from hard-boiled, small-town noir to suspense thrillers set at sea and in the Deep South. Although originally published by pulp fiction houses, his work won great critical acclaim, with Hell Hath No Fury (1953) becoming the first paperback original to be reviewed by legendary New York Times critic Anthony Boucher. Many of his novels were adapted for the screen, such as Dead Calm (published in 1963) and Don’t Just Stand There! (published in 1966), for which Williams wrote the screenplay. Williams died in California in 1975.
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