Book cover for Gynocentrism: From Feudalism to Feminism by Peter Wright

Gynocentrism

From Feudalism to Feminism

2014 Released
184 Pages
3-4 Hours
Ebook Unavailable
Audiobook Unavailable
Hardback Unavailable
Independently PublishedISBN 9798711403906

Gynocentrism, a centuries old term, refers to the principle of female centeredness or female dominance in various social or interpersonal contexts. The term has recently enjoyed a resurgence, serving again as a descriptor of the expanding yet centuries old obsession with the rights, status, and power of women. This book traces the history of that tradition to its roots in medieval society, while being careful to note the difference between benign gynocentric acts and the more problematic examples of gynocentric culture. The essays collected in this volume were originally penned for the website Gynocentrism and its Cultural Origins, and have since been revised for this eBook edition. The essays are grouped into five parts exploring various aspects of gynocentrism, and providing examples of the phenomenon from historical literature. The final part, Post Gynocentric Relationships, explores the possibility of relationships built on the notion of friendship as an alternative to neurotic shibboleths of romantic love.

Peter Wright

Peter Wright made his debut as a dancer with Ballets Jooss during World War II. He created his first ballet, A Blue Rose, for Sadler’s Wells Theatre Ballet in 1957. Wright’s productions of the classics now feature in the repertories of companies around the world. In 1969 he joined The Royal Ballet as Associate to the Directors, later Associate Director. In 1990 Wright was presented with the Queen Elizabeth II Coronation Award by the Royal Academy of Dance. In 1991 he was made a Fellow of the Birmingham Conservatoire of Music and received an Honorary Doctorate from London University. He was awarded a Knighthood (1993), an Honorary Doctorate of Letters from the University of Birmingham (1994), the De Valois Award for Outstanding Achievement in Dance (2004) and the Centenary Award for Dance (2013). He is President of the Benesh Institute, a Vice-President of the Royal Academy of Dance and Patron of the London Ballet Circle.

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