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Lead or silver; a bribe or a bullet. Those are the choices in a world of crime, drugs, corrupt politicians, thwarted ambitions, revenge and rivalries. It's no place for a cop who just wants to do his job and keep his hands clean. But when his boss hands him a murder case with a warning that it isn't an ordinary murder, his life changes. He finds himself in the middle of a deadly rivalry between heavyweight egos, one touched with greed and madness, the other obsessed with revenge. His only way out is to take sides, and when he does he's surprised to find allies where he least expected them. In spite of putting his life and that of his family at risk, nothing seems to work until a violent resolution comes from a direction he least expected.
Charles Williams (1909–1975) was one of the preeminent authors of American crime fiction. Born in Texas, he dropped out of high school to enlist in the US Merchant Marine, serving for ten years before leaving to work in the electronics industry. At the end of World War II, Williams began writing fiction while living in San Francisco. The success of his backwoods noir Hill Girl (1951) allowed him to quit his job and write fulltime. Williams’s clean and somewhat casual narrative style distinguishes his novels—which range from hard-boiled, small-town noir to suspense thrillers set at sea and in the Deep South. Although originally published by pulp fiction houses, his work won great critical acclaim, with Hell Hath No Fury (1953) becoming the first paperback original to be reviewed by legendary New York Times critic Anthony Boucher. Many of his novels were adapted for the screen, such as Dead Calm (published in 1963) and Don’t Just Stand There! (published in 1966), for which Williams wrote the screenplay. Williams died in California in 1975.
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