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Manuel shouldn't have been employed as a census taker. He wasn't qualified. He couldn't read a map. He didn't know what a map was. He only grinned when they told him that North was at the top. He knew better. But he did write a nice round hand, like a boy's hand. He knew Spanish, and enough English. For the sector that was assigned to him he would not need a map. He knew it better than anyone else, certainly better than any mapmaker. Besides, he was poor and needed the money. They instructed him and sent him out. Or they thought that they had instructed him. They couldn't be sure. "Count everyone? All right. Fill in everyone? I need more papers." "We will give you more if you need more. But there aren't so many in your sector." "Lots of them. Lobos, tejones, zorros, even people."
R. A. Lafferty was one of the most original and unpredictable voices in twentieth-century science fiction and fantasy. Born in Iowa and long associated with Tulsa, Oklahoma, Lafferty came late to professional fiction but quickly developed a reputation for stories unlike anyone else's: comic, theological, folkloric, grotesque, learned, exuberant, and structurally strange. His prose often sounds as though tall tale, myth, barroom anecdote, Catholic metaphysics, and science fiction had been fused into a single impossible instrument.Lafferty's best-known works include the novel Past Master and the story collections Nine Hundred Grandmothers, Strange Doings, and Does Anyone Else Have Something Further to Add? His fiction resists easy classification, but that resistance is precisely what has kept it alive for generations of readers and writers. He brought to science fiction a wildness of voice and imagination that made even familiar premises feel newly dangerous, comic, and uncanny.
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