Fredric Jameson

The Cultural Logic of Late Capitalism
After Year Zero
The Years of Theory
Inventions of a Present
Mimesis, Expression, Construction
The Benjamin Files
Allegory and Ideology
Raymond Chandler
An American Utopia
The Modernist Papers
The Ancients and the Postmoderns
The Hegel Variations
Representing Capital
The Antinomies of Realism
A Singular Modernity
Brecht and Method
Valences of the Dialectic
The Mastersingers Of Nuremberg 1904
The Mastersingers Of Nuremberg
The Cultural Turn
Ideologies of Theory
Fables of Aggression
Jameson on Jameson
Archaeologies of the Future
Signatures of the Visible
Late Marxism
The Seeds of Time
The Geopolitical Aesthetic
Postmodernism, Or, the Cultural Logic of Late Capitalism
Sartre
The Political Unconscious
The Prison-House of Language
Marxism and Form

Fredric Jameson

Preface by

Forget Camus
Philosophy After Marx
Philosophy and Revolution
The Historical Novel

Fredric Jameson

Afterword by

Aesthetics and Politics
What Is Subjectivity?

Fredric Jameson

Foreword by

Makers of Worlds, Readers of Signs
Makers of Worlds, Readers of Signs
Simple Forms
An Innocent Abroad
Critique of Dialectical Reason, Vol. 2
Critique of Dialectical Reason

Fredric Jameson

Introduction by

Eugenie Grandet

Fredric Jameson

Contributions by

Fredric Jameson and Film Theory
Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock)
Mapping Ideology
Ghostly Demarcations
Lacan
Nationalism, Colonialism, and Literature