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A writer who defies categorization, Daniil Kharms has come to be regarded as an essential artist of the modernist avant-garde. His writing, which partakes of performance, narrative, poetry, and visual elements, was largely suppressed during his lifetime, which ended in a psychiatric ward where he starved to death during the siege of Leningrad. His work, which survived mostly in notebooks, can now be seen as one of the pillars of absurdist literature, most explicitly manifested in the 1920s and '30s Soviet Union by the OBERIU group, which inherited the mantle of Russian futurism from such poets as Vladimir Mayakovsky and Velimir Khlebnikov. This selection of prose and poetry provides the most comprehensive portrait of the writer in English translation to date, revealing the arc of his career and including a particularly generous selection of his later work.
Daniel Harms is a librarian and writer living in central New York. His major area of research is magic from antiquity to the present, especially necromancy and fairy magic. He has been published in Fortean Times, the Journal for the Academic Study for Magic, and the Enquiring Eye, as well as chapters for Palgrave Macmillan and Penn State Press books. Harms is also the author of two books on horror fiction and folklore.
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