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He turns up first as Snoopy's secretary, then gradually becomes a good friend whom Snoopy helps to fly South... but it's not until June 22, 1970 that the little bird gains a name, in a perfect salute to the decade that ends with this volume: Woodstock! In other timely stories, Peppermint Patty runs afoul of her school's dress code (those sandals!), Lucy declares herself a "New Feminist," and Snoopy's return to the Daisy Hill Puppy Farm on a speaking engagement climaxes in a riot and a new love found amidst the teargas ("She had the softest paws..."). Speaking of Snoopy, this volume falls under the sign of the Great Beagle, as three separate storylines focus on the mysterious sovereign of Beagledom. First Snoopy is summoned by a wrathful G.B. when Frieda submits a complaint about his (Snoopy's) desultory rabbit-chasing efforts; then, back in the Great one's good graces, Snoopy is sent on a secret mission; and finally he himself ascends (briefly!) to the mantle of Great Beagledom.
In other news, an exasperated Lucy throws Schroeder's piano into the maw of the kite-eating tree, with gruesome results... Miss Othmar goes on strike and Linus gets involved... Charlie Brown's baseball team has an actual (brief) winning streak... Snoopy's quest to compete in the Oakland ice skating competition is thwarted by his inability to find a partner... Charlie Brown goes to a banquet to meet his hapless baseball hero Joe Shlabotnik... Snoopy is left in the Van Pelt family's care as Charlie and Sally Brown head out of town for a vacation... and (alas) the Little Red-Haired Girl moves away...
This volume also features a new introduction by renowned illustrator Mo Willems and, as always, gorgeous design by award-winning cartoonist Seth.
Charles M. Schulz
From his earliest memories, Charles M. Schulz knew that all he wanted to do was “draw funny pictures.” Schulz was born in Minneapolis, Minnesota, in 1922, and his love for cartoons was fostered by his father in a shared appreciation for the Sunday funnies. As a senior in high school, at the prompting of his mother, he completed a correspondence cartoon course with the Federal School of Applied Cartooning. Schulz continued his studies in art as the genre of the cartoon began to change—adopting simplistic, minimalistic styles that, conveniently, allowed Schulz to showcase his dry, self-effacing humor. In 1943 Schulz enlisted in the army to help the American efforts in World War II, ultimately returning home in the fall of 1945. In a push to make his dream of being a cartoonist a reality, he taught at his alma mater and sold cartoon strips to papers intermittently. Finally, in October 1950, the first Peanuts strip premiered in seven national newspapers. His seemingly simple creation—illustrations of large-headed kids using vocabulary and facing situations far beyond their years—became a well-known, well-loved comic strip and grew to have an enormous global impact. Schulz himself has won awards from his cartoonist peers, has been recognized and lauded by U.S. and foreign governments, and has received Emmys for his animated specials. In 2015 the beloved holiday TV special—A Charlie Brown Christmas—will reach its fifty-year milestone. Though the last original Peanuts comic appeared in papers on February 13, 2000, the day after Schulz passed away in his sleep, his work continues to be read in more than two thousand newspapers around the world.
More by Charles M. Schulz
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