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'Bacchai is one of the top dozen plays ever written. Whenever it's performed, it seems extraordinarily timely. It's haunted me all my life.'
Peter Hall
After huge successes with Aeschylus' The Oresteia and Sophocles' The Oedipus Plays, Peter Hall turned to Bacchai, Euripides' powerful tragedy about the cult of Dionysus. On the National's Olivier stage he presented a stunningly imaginative production played in masks, using a new translation by Colin Teevan, with original music by Harrison Birtwhistle, and designs by Alison Chitty.
Jonathan Croall observed the rehearsal process in minute detail, regularly interviewing the actors and creative team as the production moved from readthrough to preview. His book offers an intimate and absorbing picture of how a team of world-class theatrical talents brought one of the masterpieces of Greek theatre to the stage.
This new edition includes an extra chapter on the production's visit to the ancient theatre of Epidaurus in Greece, and a new foreward by Peter Hall.
Jonathan Croall
Jonathan Croall is a distinguished biographer and theatre historian. He is the author of over twenty-five books, notably the acclaimed biographies John Gielgud: Matinee Idol to Movie Star (Bloomsbury Methuen Drama) and Sybil Thorndike: A Star of Life. His other titles include The Coming of Godot: A Short History of a Masterpiece (short-listed for the 2005 Theatre Book Prize); The Wit and Wisdom (and Gaffes) of John Gielgud and In Search of Gielgud: A Biographer's Tale; two collections of his theatre journalism, Buzz Buzz! Playwrights, Actors and Directors at the National Theatre and Closely Observed Theatre: From the National to the Old Vic; and three books in the series The National Theatre at Work - Hamlet Observed, Peter Hall's 'Bacchai', and Inside the Molly House.
More by Jonathan Croall
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