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The femme was fatal
She was rich, red-haired and ready for anything. Her name was Fidelia and she was a tempting bit of woman even without the three million dollars she was to inherit. Only wherever she went - and she went everywhere - murder seemed to follow.
That’s how I came into the picture. My name is Joe Puma. I’m a private investigator.
.She hired me to scare off the wolves. I’m big for my age, handy with my fists and a fool for trouble - especially when it looks at me the way Fidelia did. It wasn’t any picnic, though.
Three million bucks wrapped in a prize package like Fidelia was powerful bait. Deadly, in fact. But some guys were just too greedy. They wouldn’t give up even if it killed them - or me.
William Campbell Gault (1910–1995) was a critically acclaimed pulp novelist. Born in Milwaukee, Wisconsin, he took seven years to graduate from high school. Though he was part of a juvenile gang, he wrote poetry in his spare time, signing it with a girl’s name lest one of his friends find it. He sold his first story in 1936, and built a great career writing for pulps like Paris Nights, Scarlet Adventures, and the infamous Black Mask. In 1939, Gault quit his job and started writing fulltime. When the success of his pulps began to fade in the 1950s, Gault turned to longer fiction, winning an Edgar Award for his first mystery, Don’t Cry for Me (1952), which he wrote in twenty-eight days. He created private detectives Brock Callahan and Joe Puma, and also wrote juvenile sports books like Cut-Rate Quarterback (1977) and Wild Willie, Wide Receiver (1974). His final novel was Dead Pigeon (1992), a Brock Callahan mystery.
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