Carl Sandburg: Selected Poems
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A fresh look at the Pulitzer Prize–winning poet laureate of the American Midwest
With the publication of Chicago Poems in 1916, Carl Sandburg became one of the most famous poets in America: the voice of a Midwestern literary revolt, fusing free-verse poetics with hard-edged journalistic observation and energetic, sometimes raucous protest.
By the time his first book appeared, Sandburg had been many things—a farm hand, a soldier in the Spanish-American War, an active Socialist, a newspaper reporter and movie reviewer—and he was determined to write poetry that would explode the genteel conventions of contemporary verse. His poems are populated by factory workers, washerwomen, crooked politicians, hobos, vaudeville dancers, and battle-scarred radicals. Writing from the bottom up, bringing to his poetry the immediacy of America’s streets and prairies, factories and jails, Sandburg forged a distinctive style at once lyrical and vernacular, by turns angry, gritty, funny, and tender.
Carl Sandburg
Carl Sandburg was an American poet, biographer, journalist, and editor. He is the recipient of three Pulitzer Prizes: two for his poetry and one for his biography of Abraham Lincoln. During his lifetime, Sandburg was widely regarded as “a major figure in contemporary literature,” especially for his volumes of collected verse, including Chicago Poems (1916), Cornhuskers (1918), and Smoke and Steel (1920). He enjoyed “unrivaled appeal as a poet in his day, perhaps because the breadth of his experiences connected him with so many strands of American life,” and, upon his death in 1967, President Lyndon B. Johnson said about the writer: “Carl Sandburg was more than the voice of America, more than the poet of its strength and genius. He was America.”
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