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The Wetland Project book is the print component of a multidisciplinary and multimedia project centred on the sounds emanating from the ṮEḴTEḴSEN marsh, in unceded W̱SÁNEĆ territory (Saturna Island, British Columbia). The book is edited by artists Brady Marks and Mark Timmings, who have been inspired by the sonic phenomena
produced by this small patch of Earth to create a 24-hour Slow Radio Broadcast,
based on field recordings from the marsh, that radio stations across North
America and Europe have aired on Earth Day since 2017; a musical arrangement
titled Wetland Senario, co-composed with Stephen Morris and performed by
vocal ensemble musica intima; and a new media installation that algorithmically
transforms sound frequencies from the marsh recordings into pure colour fields
in flux.
Contributors to the book include novelist William Gibson, MP and former Green Party leader Elizabeth May, poet and spoken-word performer Susan McMaster, musicologist Stephen Morris, writer Alex Muir, poet and W̱SÁNEĆ First Nation member Philip Kevin Paul, Stó lō artist, curator, and scholar Dylan Robinson, sound artist and World Soundscape Project member Hildegaard Westerkamp, and curator, writer, and PhD student Laurie White. The algorithmic flow of colour fields throughout the publication combined with photos of the project and an audio interface accessed using smartphones and tablet devices will give the book a colourful, music box-like quality.
Brady Marks is a digital media artist working primarily in audiovisual practices, new media and kinetic art. She has collaborated with Geoffrey Farmer on seven works, including "And Finally The Street Becomes The Main Character (Clock)" (2005-2008), a sculptural installation with computer-generated sound presented and acquired by the Art Gallery of Ontario; and "Let's Make the Water Turn Black" (2013-15), a 24-hour computer-generated installation composed of 50 light fixtures, 26 audio speakers and 18 synchronized, animatronic sculptures presented at REDCAT (Los
Angeles), Migros Museum für Gegenwartskunst (Zurich), Nottingham Contemporary
(UK), Kunstverein (Hamburg), Pérez Art Museum (Miami) and the Vancouver Art
Gallery.
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