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Three works of short fiction by Georges Perec. "One of the most singular literary personalities in the world."--Italo Calvino
Georges Perec's mastery of absurdist fiction are on full display in this collection. As Richard Eder in The Los Angeles Times wrote, "Perec's artistry has achieved a perfect balance between allure and imponderability."
The novella The Exeter Text contains all those e's that were omitted from his novel, A Void (Perec hated waste) and no other vowel. In Which Moped with Chrome-Plated Handlebars at the Back of the Yard? we meet Sergeant Henri Pollak and his vehicle that carries him between Vincennes and Montparnasse. A Gallery Portrait is about a portrait, called "A Gallery Portrait," of the Pittsburgh beer baron Hermann Raffke sitting in front of his portrait which depicts Raffke sitting in front of his portrait.
Mind-bending short fiction from a 20th century master.
Georges Perec
Georges Perec (1936-82) won the Prix Renaudot in 1965 for his first novel Things: A Story of the Sixties, and went on to exercise his unrivalled mastery of language in almost every imaginable kind of writing, from the apparently trivial to the deeply personal. He composed acrostics, anagrams, autobiography, criticism, crosswords, descriptions of dreams, film scripts, heterograms, lipograms, memories, palindromes, plays, poetry, radio plays, recipes, riddles, stories short and long, travel notes, univocalics, and, of course, novels. Life A User's Manual, which draws on many of Perec's other works, appeared in 1978 after nine years in the making and was acclaimed a masterpiece to put beside Joyce's Ulysses. It won the Prix M�dicis and established Perec's international reputation.
More by Georges Perec
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