Book cover for The Green Chamber by Martine Desjardins

The Green Chamber

2018 Released
3-4 Hours
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TalonbooksISBN 9781772013337
Translated by Fred A Reed, David Homel

Set between 1913 and 1963 in one of Montreal’s well-known, upper-middle-class suburban neighbourhoods, Martine Desjardins’s The Green Chamber is a fast-paced, highly atmospheric, riveting novel that chronicles the decline of a wealthy French-Canadian family over the course of three generations.

Every house has its secrets, but none hides them better than the august house of the Delorme family. With its sixty-seven locks, brass-grilled counters, and impenetrable underground vault – where lie the mummified remains of a woman clutching a brick between her teeth – the Delorme residence may be apprehended as The Green Chamber’s central persona. A private bank of a sort, it has always held its lot of ill-acquired gains, hidden vices, cruel rituals, and illicit substances away from prying eyes. Louis-Dollard Delorme, his miserly wife Estelle, and his three spinster sisters revere money so much that they have converted their residence’s “Green Chamber” into a place of worship and have elevated domestic penny-pinching to an art form. As for the family’s heir, Vincent, they intend for him to make a highly profitable marriage – a reasonable prospect, until the day when the house opens its door to Penny Sterling, a young woman whose means equal only her curiosity.

Desjardins’s humorous gothic saga – with its gallery of eccentric characters who play the races in secret and sniff vanilla extract – reveals and revels in the fate of family fortunes, where the first generation makes the money, the second generation maintains it, and the third blows it.

The novel’s plot and themes arise, larger than life, from the history of the author’s own family, and from that of her suburban hometown, Mount Royal, whose founding is closely linked to the development of Canada’s national railroad and early industry. The Green Chamber exposes the birth of capitalistic religiosity and sheds light on our economic present: personal finances, once based on a nest-egg savings system, have become a credit-based and debt-ridden travesty.

Martine Desjardins

Martine Desjardins was born in the Town of Mount Royal, Québec, in 1957. The second child of six, she started writing short stories when she was seventeen. After receiving a bachelor’s degree in Russian and Italian studies at the Université de Montréal, she went on to complete a master’s degree in comparative literature, exploring humour in Dostoevsky’s The Devils. She worked as an assistant editor-in-chief at ELLE Québec magazine for four years before leaving to devote herself to writing. Her first novel, Le cercle de Clara, was published by Leméac in 1997, and was nominated for both the Prix littéraires du Québec and the Grand Prix des lectrices de ELLE Québec in 1998. Talonbooks has published six translations of her more recent novels, including Maleficium, a tour de force short-listed for the 2010 Governor General’s Literary Award for French Fiction and Québec Prix des libraires. In her free time, Desjardins paints miniature models of ruins overgrown with vegetation.

More by Martine Desjardins

David Homel

Translated by

DAVID HOMEL is an award-winning novelist, screenwriter, journalist and translator. He has won the Governor General's Award for translation, the Hugh MacLennan Prize and the Jewish Public Library Award for fiction.

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