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“The witchy women are Medusa’s daughters indeed—their gaze kills. But rather than sending heroes to slay them, the writers of this collection celebrate the deadliness of these femmes fatales.”
After a period of decline, Gothic literature underwent a revival at the end of the 1800s. As the century turned, women writers such as Vernon Lee, Mary Coleridge, and Rosamund Mariott Watson left an indelible mark on fantasy and horror literature. Like Medusa herself, their poetry and short stories embody the very essence of magic and monstrosity.
Curated and annotated by award-winning fantasy author and Victorianist Theodora Goss, this collection of rare and strange gems serves as a tantalizing sampler of work by fin-de-siècle women writers, whose legacy still echoes in the speculative fiction we know and love today.
Theodora Goss
Theodora Goss is the World Fantasy Award-winning author of many publications, including the short story collection In the Forest of Forgetting; Interfictions, a short story anthology coedited with Delia Sherman; Voices from Fairyland, a poetry anthology with critical essays and a selection of her own poems; The Thorn and the Blossom, a novella in a two-sided accordion format; and the poetry collection Songs for Ophelia; and the novels, The Strange Case of the Alchemist's Daughter, European Travel for the Monstrous Gentlewoman, and The Sinister Mystery of the Mesmerizing Girl. She has been a finalist for the Nebula, Locus, Crawford, Seiun, and Mythopoeic Awards, as well as on the Tiptree Award Honor List, and her work has been translated into eleven languages. She teaches literature and writing at Boston University and in the Stonecoast MFA Program. Visit her at TheodoraGoss.com.
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