Theology through Symbol, Painting and Architecture
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Partly in a desire to defend divine freedom and partly because it is seen as the only way of preserving a distinctive voice for theology, much contemporary theology has artificially restricted revelation and religious experience, effectively cutting off those who find God beyond the walls of the Church. Against this tendency, David Brown argues for divine generosity and a broader vision of reality that sees God deploying symbols (literary, visual and sacramental) as a means of mediating between the divine world and our own material existence. A sustained argument for divine interaction and more specifically the ways in which God speaks in the wider imaginative world, this volume calls for a careful listening exercise since symbols are richer and more open in their possibilities than their users often suppose. Not only is this true of the imagery of Scripture, even inanimate objects like buildings or hostile but creative artists can have important things to say to the believing Christian. An ideal introduction that also moves the conversation forward, this volume addresses foundations, the multivalent power of symbols, artists as theologians, and meaning in religious architecture.
David Brown, FBA, is Emeritus Wardlaw Professor of Theology, Aesthetics and Culture at the University of St Andrews. He was previously Fellow and Chaplain at Oriel College, Oxford, and Van Mildert Professor of Divinity at Durham University. An Anglo-Catholic of wide and sympathetic interests, he has also served as President of the Society for the Study of Theology (SST) and Deputy Chair of the Church of England's Doctrine Commission. His many substantial publications on theology, aspects of biblical revelation and art and culture have garnered much critical acclaim.
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