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How does one photograph Delhi without the results looking like clichéd, tourist-friendly images taken from the pages of a holiday brochure? And how does a photographer of David Bailey's standing portray India without seeming condescending? These questions are at the heart of Bailey's new two-volume book, The Delhi Dilemma. Bailey, one of the most successful photographers of his generation, has traveled to India 15 times, and in this new series of photographs he avoids focusing on those cultural and economic differences between East and West that might make photos of the country appear overly didactic. Instead, he depicts the colors, textures and characters that make Delhi unique--a magenta sari, an infant walking alone on a rust-colored road, a bright blue plastic tarpaulin--and so creates a portrait of the city that is sensitive without being self-indulgent.
London-born David Bailey (b. 1938) is widely acknowledged as one of the founding fathers of contemporary photography, having shot some of the most iconic portraits of the last six decades. Bailey's early work helped both define and capture 1960s London, when he made stars of a new generation of models, including Jean Shrimpton and Penelope Tree. Bailey channeled the energy of London's informal street culture to create a new style of casual coolness. Drawing inspiration from Modernism, he injected movement and immediacy into his work by using a very direct, cropped perspective. Bailey's interests extend to commercials, film, painting, and sculpture.
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