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Honest, aching, and intimate, self-elegies are unique poems focusing on loss rather than death, mourning versions of the self that are forgotten or that never existed. Within their lyrical frame, multiple selves can coexist--wise and naïve, angry and resigned--along with multiple timelines, each possible path stemming from one small choice that both creates new selves and negates potential selves. Giving voice to pain while complicating personal truths, self-elegies are an ideal poetic form for our time, compelling us to question our close-minded certainties, heal divides, and rethink our relation to others.
In Writing the Self-Elegy, poet Kara Dorris introduces us to this prismatic tradition and its potential to forge new worlds. The self-elegies she includes in this anthology mix autobiography and poetics, blending craft with race, gender, sexuality, ability and disability, and place--all of the private and public elements that build individual and social identity. These poems reflect our complicated present while connecting us to our past, acting as lenses for understanding, and defining the self while facilitating reinvention. The twenty-eight poets included in this volume each practice self-elegy differently, realizing the full range of the form. In addition to a short essay that encapsulates the core value of the genre and its structural power, each poet's contribution concludes with writing prompts that will be an inspiration inside the classroom and out. This is an anthology readers will keep close and share, exemplifying a style of writing that is as playful as it is interrogative and that restores the self in its confrontation with grief.
Kara Dorris is the author of Have Ruin, Will Travel (Finishing Line Press, 2019). She has also published five chapbooks: Elective Affinities (dancing girl press, 2011), Night Ride Home (Finishing Line Press, 2012), Sonnets from Vada's Beauty Parlor & Chainsaw Repair (dancing girl press, 2018), Untitled Film Still Museum (CW Books, 2019), and Carnival Bound [or please unwrap me] co-written with Gwendolyn Paradice (The Cupboard Pamphlet, 2020). Her poetry has appeared in Prairie Schooner, DIAGRAM, I-70 Review, Rising Phoenix, Harpur Palate, Cutbank, Hayden Ferry Review, Tinderbox, Puerto del Sol, The Tulane Review, and Crazyhorse, among others literary journals, as well as the anthology Beauty is a Verb (Cinco Puntos Press, 2011). Her prose has appeared in Wordgathering, Breath and Shadow, Waxwing, and the anthology The Right Way to be Crippled and Naked (Cinco Puntos Press, 2016). She earned a PhD in literature and poetry at the University of North Texas. Currently, she is a visiting assistant professor of English at Illinois College. For more information, please visit karadorris.com.
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