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The book begins with a general introduction that traces the movement of gender theory from the margins of film studies to its center. The ten essays that follow address a range of topics, including screen stars; depictions of gay, straight, queer, and transgender subjects; and the relationship between gender and genre. Widely respected scholars, including Robert T. Eberwein, Lucy Fischer, Chris Holmlund, E. Ann Kaplan, Kathleen Rowe Karlyn, David Lugowski, Patricia Mellencamp, Jerry Mosher, Jacqueline Reich, and Chris Straayer, focus on the radical ideological advances of contemporary cinema, as well as on those groundbreaking films that have shaped our ideas about masculinity and femininity, not only in movies but in American culture at large.
The first comprehensive overview of the history of gender theory in film, this book is an ideal text for courses and will serve as a foundation for further discussion among students and scholars alike.
Krin Gabbard retired after thirty-three years of teaching at Stony Brook University, and he now teaches in the jazz studies program at Columbia University. His previous books include Hotter than That: The Trumpet, Jazz, and American Culture and Jammin’ at the Margins: Jazz and the American Cinema. He lives in New York City with his wife, Paula, and he is busy playing his trumpet and writing a memoir about his parents.
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