Book cover for The Return of the Native by Thomas Hardy, Nancy Barrineau and Margaret R Higonnet
2009 Released
496 Pages
8-12 Hours
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Oxford University PressISBN 9780199537044
'To be loved to madness - such was her great desire'

Eustacia Vye criss-crosses the wild Egdon Heath, eager to experience life to the full in her quest for 'music, poetry, passion, war'. She marries Clym Yeobright, native of the heath, but his idealism frustrates her romantic ambitions and her discontent draws others into a tangled web of deceit and unhappiness.

Early readers responded to Hardy's 'insatiably observant' descriptions of the heath, a setting that for D. H. Lawrence provided the 'real stuff of tragedy'. For modern readers, the tension between the mythic setting of the heath and the modernity of the characters challenges our freedom to shape the world as we wish; like Eustacia, we may not always be able to live our dreams.

This edition has a critically established text based on the manuscript and first edition, and without the later changes that substantially altered Hardy's original intentions.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Thomas Hardy

Thomas Hardy (1840-1928) is best known for his novels, Far from the Madding Crowd (1874), Return of the Native (1878), The Mayor of Casterbridge (1886), Tess of the D'Urbervilles (1891), and Jude the Obscure (1895), which was denounced as morally objectionable. Hardy, disgusted with this reaction, declared he would never write fiction again and devoted the rest of his literary career to poetry.

More by Thomas Hardy

Margaret R Higonnet

Margaret R. Higonnet is Professor of English Emerita at the University of Connecticut. She is the editor of Nurses at the Front: Writing the Wounds of the Great War and Lines of Fire: Women Writers on World War I, among many other books.

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