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In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship--in particular, the way blackness and black people are experienced in literature, music, television, and especially film--and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert." As students, scholars, activists, intellectuals, and any other readers who have engaged with the book since its original release in 1992 can attest, that's exactly what these pieces do.
bell hooks (1952-2021) was an influential cultural critic, educator, and writer. Celebrated as one of America’s leading public intellectuals, she was a charismatic speaker and writer who taught and lectured around the world. Her unique pseudonym honors her great-grandmother, a brilliant and strong-willed Black woman who inspired her commitment to resistance and freedom. hooks was the author of more than 40 books, including the New York Times bestsellers All About Love and Communion in the landmark Love Song to the Nation trilogy, as well as the memoir Bone Black: Memories of Girlhood and the poetry collection Appalachian Elegy.
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