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This generously illustrated book takes readers inside Nick Cave's newest work: an enormous, elaborate journey through the workings of the artistic mind. Nick Cave's "Soundsuits"--exuberant, brightly colored wearable sculptures adorned with buttons, hair, toys and other found objects--have made him one of the best-known contemporary artists. This book documents his most extensive work to date, turning his art inside out. Until fills MASS MoCA's football field- sized gallery, without a single Soundsuit to be found. Instead Cave takes us inside the belly of one of his iconic sculptures with an immersive environment populated by a dazzling array of found objects, echoing some of Cave's and America's most confounding dilemmas: gun violence, racial inequality, injustice within our cities' police departments, and death. An installation diary and numerous images reveal how an idea becomes reality. Until also incorporates special appearances by dancers, singer/ songwriters, and poets, as well as community forums, and opportunities for public debate and engagement. Transcripts of the first of these events accompany the book's illustrations. This book features an essay by exhibition Curator Denise Markonish, commentary by David Byrne and Lori E. Lightfoot that contextualizes Cave's work against today's headlines, and an excerpt from Claudia Rankine's Citizen: An American Lyric. Powerful and transformative, Until promises to take its place among the era's most important artistic statements.
Denise Markonish is the Chief Curator at MASS MoCA. Her exhibitions include Jeffrey Gibson: POWER FULL BECAUSE WE'RE DIFFERENT; Joseph Grigely: In What Way Wham?; Amy Yoes: Hot Corners; Marc Swanson: A Memorial to Ice at the Dead Dear Disco (MASS MoCA and Thomas Cole National Historic Site, Catskill, NY); Lily Cox-Richard: Weep Holes; Amy Hauft: Terra, Luna, + Sol; Glenn Kaino: In the Light of a Shadow; Suffering from Realness; Trenton Doyle Hancock, Mind of the Mound: Critical Mass; Nick Cave: Until (co-organizers Carriageworks, Sydney, Australia, and The Momentary, Bentonville, AK; traveled to Tramway, Glasgow, Scotland); Explode Every Day: An Inquiry into the Phenomena of Wonder; Teresita Fernández: As Above So Below; Oh, Canada (traveled to Alberta, New Brunswick, and Prince Edward Island); Nari Ward: Sub Mirage Lignum; These Days: Elegies for Modern Times; and Badlands: New Horizons in Landscape. She has worked on long-term projects with Laurie Anderson and has commissioned works by Sarah Oppenheimer, Stephen Vitiello, Julianne Swartz, Mark Dion, and many others. Markonish has produced numerous exhibition catalogs and has guest edited the books Teresita Fernández: Wayfinding (DelMonico) and Wonder: 50 Years of RISD Glass, and co-edited Sol LeWitt: 100 Views (Yale University Press). She has taught at Williams College and the Rhode Island School of Design, was a visiting curator at Artpace, San Antonio, and Haystack School of Craft, Deer Isle, Maine.
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