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Since its 1967 production of Vanbrugh's The Relapse, the Royal Shakespeare Company has been the world's leading producer of Restoration Comedies. This book is the first to document and critique the company's history of engagement with that repertoire. It reviews the spaces in which productions have been performed, design principles, casting, voicing, textual adaptation, musical direction, actor perspectives, and the problems of how to confront, adopt or depart from received notions of Restoration style. It goes on to posit that, for all the RSC's explorations of Restoration Comedy, the company has maintained the repertoire as a fringe interest played out in niche spaces, while recycling many of the assumptions it claims to challenge, and that what is needed is the writer-led intervention seen in RSC and National Theatre adaptations of French drama from the same period. Only then can Restoration Comedy begin to engage wider audiences in new sites of political, historical andcultural meaning.
David Roberts is a hugely talented and versatile artist and author. David began his career in fashion illustration, and his sharp eye for form and composition is showcased beautifully in his books with Andrea Beaty, which include Ada Twist, Scientist and Iggy Peck, Architect. His work ranges from feisty retellings of fairy tales created in collaboration with his sister, Lyn (Little Red, Sleeping Beauty, Rapunzel), to his brilliantly funny books with Julia Donaldson such as Tyrannosaurus Drip, The Troll and The Cook and the King. In 2006 he won the Nestlé Children’s Book Prize Gold Award for his line drawings in Mouse Noses On Toast, and Little Red was shortlisted for the CILIP Kate Greenaway Medal. David’s sense of humour shines through in all his work, but especially his illustrations for The Bolds series by Julian Clary and the madcap Dirty Bertie books. Suffragette: The Battle for Equality was David’s first self-authored book and is an exquisitely illustrated history of the women’s suffrage movement, which has been a passion of David’s since his school days.
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