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Of the five pieces in Strand, Craig Dworkin did not write the third. Dworkin's shifting of words from their original, intended contexts sometimes generates intensely layered, fine-tuned effects . This landmark of conceptual writing belongs on your shelf, in fact, it's worth reading.
Craig Dworkin teaches literary history and theory at the University of Utah. He is the author of Reading the Illegible, No Medium, Dictionary Poetics, Radium of the Word: A Poetics of Materiality and The Sound of Thinking: A Listener's Companion to Conceptual Music.
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