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This lecture on Raphael points to an ever greater inwardness or "internalizing" of the human soul in the future development of humanity. Steiner's large-format watercolours can be said to be an unmistakable further expression of this. Though it might seem improbable at first to link Raphael's works so directly with the painting impulse of Rudolf Steiner, separated as they are by four hundred years. An underlying relation becomes apparent, nonetheless, despite the manifest contrast. The Madonnas of Raphael will self-evidently never be surpassed. Yet, the future development of art, always "a daughter of the divine," implies, in Rudolf Steiner's sense, an ongoing spiritualization. We begin to recognize Raphael's relevance for today and for the future.A lecture given by Rudolf Steiner: from Ergebnisse der Geistesforschung. (Some Results of Spiritual Research). GA 62. Lecture IX, 30th January 1913 in Berlin. This unique English translation is by Peter Stebbing. Edited by James Stewart.
Peter Stebbing
Translated by
Peter Stebbing was born in Copenhagen in 1941 and attended Waldorf schools before studying art in Brighton and London. He moved to the U.S. and graduated from Cornell University with an M.F.A. in painting. Following his first teaching stint at the University of Kansas, Peter began teaching color courses at the City University of New York in 1970. Having begun investigations into Goethe's color theory, he visited the Gerard Wagner painting school in Dornach, Switzerland. There he began training with Wagner, who asked him to teach in the school. Peter later established a painting school at the Threefold Educational Foundation in Spring Valley, New York. For the past thirty years, he has taught introductory courses in Goethe's color theory with experiments in England, Germany, Switzerland, and the U.S. Since 1992, Peter has been director of the Arteum Painting School in Dornach, Switzerland, and has held a number of exhibitions of his work in Europe and North America.
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