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MAINTENANT 12: A Journal of Contemporary Dada Writing and Art serves up the controversial theme, "WE ARE ALL A 'LIKE'." With the rise in social media use-and abuse-the concept of "like" has reached whole new levels. There's the idea of an individual's reaction to events, people, images, etc. as a reduction to "Like" or "Dislike" without need for deeper consideration. Then there is the status factor: that something which is "Liked" by the largest number of people is of value. In fact, in the social media orbit, it is seemingly beneficial to offer strong, sharp, simplistic opinions-instead of nuanced, deeper, shaded considerations-simply because they provoke the greatest likelihood of widespread attention. How will this reduction of thought shape the future of interpersonal relations, intellectual advancement, and politics? As we teeter on the brink of nuclear war, the concepts of Dada brilliantly encompass the urgency of present times with both clarity and purposeful confusion.
The MAINTENANT series, established in 2005, gathers the work of renowned and emerging dada artists and writers from around the world. The series has been archived in leading international institutions including the Museum of Contemporary Art-New York, the BelVUE Museum-Brussels, and more. Renowned contributors have included artists Mark Kostabi, Raymond Pettibon, Giovanni Fontana, Jean-Jacques Lebel, and Kazunori Murakami. Writers have included Allen Ginsberg, Gerard Malanga, Charles Plymell, Jerome Rothenberg, and more, with a strong contingent of punk musician-artist-writers including Grant Hart, Mike Watt, and Exene Cervenka.
Peter Carlaftes
PETER CARLAFTES is a New York City-based author, editor, publisher, and performer. He has written and staged twelve plays, and is the author of five books: A Year on Facebook (humor); Drunkyard Dog and I Fold With the Hand I Was Dealt (poetry); and Triumph for Rent (3 plays) and Teatrophy (3 More Plays). He is co-founder and acquisitions editor of Three Rooms Press (New York), for whom he has edited multiple anthologies including the Have a NYC: New York Short Stories series, the annual Maintenant Dada Art and Writing Journal and Mike Watt: On and Off Bass, a collection of photos and distilled tour diaries from the great punk rock bass player. As publisher, he has worked closely with the editors of several recent mystery/noir anthologies including Dark City Lights (edited by Lawrence Block), Crime Plus Music (edited by Jim Fusilli), Florida Happens (the 2018 Bouchercon anthology edited by Greg Herren), and The Obama Inheritance: 15 Stories of Conspiracy Noir (edited by Gary Phillips), among many other titles. The latter won the 2018 Anthony Award for Best Anthology.
Kat Georges
KAT GEORGES is a New York City-based poet, playwright, performer, publisher, and graphic designer. She has written and staged twelve plays, and is the author of two books: Our Lady of the Hunger and Three Somebodies: Plays about Notorious Dissidents. Her poetry and prose work has appeared in The San Francisco Chronicle, The Outlaw Bible of American Poetry, Have A NYC: New York Stories, Signs of Life: San Francisco Short Stories, and numerous regional and international journals and magazines. She published and edited the Orange County, California punk rock magazine The Eye and the San Francisco poetry journal The Fold, and has edited numerous anthologies including The Verdict Is In, a poetic response to the 1992 Los Angeles riots (Manic D Press, San Francisco, 1993), Along the Fault (Resident Alien Press, Los Angeles, 1990) and A Gathering of the Tribes, Issue 13 (A Gathering of the Tribes, New York, 2012). In New York since 2003, she has directed numerous Off-Broadway plays, produced more than 300 events, and performed widely. She is co-founder, editor, and artistic director of Three Rooms Press (New York). She lives in Greenwich Village, New York.
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