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DON JUAN COMES BACK FROM THE WAR
(DON JUAN KOMMT AUS DEM KRIEG): The anti-hero of the title returns from the front in a fervour of despair. The girl he is searching for has died and the romantic ideal he is trying to construct is opposed by endless recriminations from the succession of women he encounters. Don Juan Comes Back from the War was first performed in this translation at the National Theatre in 1978.
FIGARO GETS DIVORCED
(FIGARO LÄSST SICH SCHEIGEN):
An aristocratic couple and their two servants are on the run from a revolution. Their fortunes rise and fall against a background of social and political upheaval. Figaro Gets Divorced was premiered in this translation at the Gate Theatre in 1990.
Translated by
Christopher Hampton is a highly successful British dramatist. His work for the Royal Court included Total Eclipse (1968) and The Philanthropist (1970). An accomplished linguist, his adaptation include Uncle Vany (1970), Hedda Gabler (1970) and A Doll's House (1971). His best known recent work has been his adaptaion of Les Liaisons Dangereuses by Laclos.
Translated by
Ian Huish teaches German at Westminster School. He has edited four Horvath texts for academic use and other published works include Horvath: A Study (1980).
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