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Reading Conrad by J. Hillis Miller demonstrates a surprising cohesiveness across Miller's career as well as the richness of Conrad's fiction, which affords varied opportunities for critical approaches as different as phenomenology, new criticism, deconstruction, narrative theory, and narrative ethics. Miller's analyses emphasize literature's rhetorical and performative power, ultimately suggesting that while narrative fiction is an effect of a series of complex phenomena in society and in the human psyche, as literary language it can also refer to the external world indirectly and contribute to the formation of history from within.
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