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Shiro Tsujimura is a vanguard contemporary ceramic artist. While his creations and techniques are deeply rooted in traditional Japanese and Korean styles, his independent streak defines his practice with a sense of freedom, playfulness, and self-confidence that results in decidedly unique works. This monograph takes readers inside his studio and home to discover his artistic practice and lifestyle. Axel Vervoordt, Alexandra Munroe, and longtime friend Hiroshi Sugimoto each contribute a highly personal essay, providing rare insight into this magnetic artist. Tsujimura himself shares his approach to ceramics, deeply linked to both his training as a monk and his fierce independence, which drove him from his spiritual practice to become an artist. Each of his creations is pure and soulful, where the passing of time and the art of imperfection play an important role.
Tsujimura has held solo exhibitions around the world, and his works have been acquired from Japan to Berlin to New York by the world's most prestigious museums, including the Met and the British Museum.
Hiroshi Sugimoto is an artist based between New York and Tokyo. Over six decades, he has redefined the metaphysical possibilities of the still image, working fluidly across photography, architecture, sculpture, and performance to probe the limits of perception through projects such as Seascapes and Theaters, his landmark series of large-format black-and-white photographs. Throughout his career, he has published hundreds of books and staged exhibitions across the world, including Hiroshi Sugimoto: Extinction at the National Museum of Modern Art, Tokyo; Replay the melody at Musée Soulages, Rodez, France; and Hiroshi Sugimoto: Form Is Emptiness at the Singapore Art Museum, all on view this fall. As the guest editor of this issue, Sugimoto has convened a range of writers and artists who share his curiosity about the mysteries of time, light, and nature.
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