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Author name not noted above: Sir Thomas Browne Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf. Volume III features: - Essays or Counsels--Civil and Moral and The New Atlantis, by English scientist and philosopher SIR FRANCIS BACON (1561-1626), the former the foundational writings of his development of the scientific method, and the latter his utopian novel that influenced British notions of science as a noble endeavor. - Areopagitica and Tractate on Education, by English poet JOHN MILTON (1608-1674), respectively his tract against censorship and his ideas on educational reform; both helped modernize English society. - Religio Medici, by English polymath SIR THOMAS BROWNE (1605-1682), one of the earliest personal memoirs that, as a psychological self-evaluation, would later influence Jung.
John Milton was a seventeenth-century English poet, polemicist, and civil servant in the government of Oliver Cromwell. Among Milton’s best-known works are the classic epic Paradise Lost, Paradise Regained, considered one of the greatest accomplishments in English blank verse, and Samson Agonistes.
Writing during a period of tremendous religious and political change, Milton’s theology and politics were considered radical under King Charles I, found acceptance during the Commonwealth period, and were again out of fashion after the Restoration, when his literary reputation became a subject for debate due to his unrepentant republicanism. T.S. Eliot remarked that Milton’s poetry was the hardest to reflect upon without one’s own political and theological beliefs intruding.
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