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Featuring the work of Black women poets from Botswana to Brazil, in this collection, we encounter ancestors who made love, just for the sake of love, and women who die with each orgasm while attempting to mark the extent of their own humanities.
This is for the nuns, the singers, the clowns, the diviners and the conjurers who reject the constant attempt to clean up history. The wildly imperfect women of slick braids, shiny skin and succulent lips, building new homes from clouds for future legions.
Here congregate the women, womxn and womyn who do not believe in tough love that disguises hurt just to prove a point. They dance with the dead with exquisite feet, cheekbones high, reflecting their mothers' smiles.
Because no one claps for martyrs, these dirty/pretty women learn to walk cities like they own them, choosing the battles of their hearts.
If this collection teaches anything, it is that love is always messy, that our sacrament requires wet wipes and that we are just flesh and bone honing practice.
Natalia Molebatsi
Natalia Molebatsi is an internationally known South African writer, poet, and singer. In addition to being a performance poet and author, she experiments with jazz and hip hop. She has published Sardo Dance and edited We Are: A Poetry Anthology, and her work has been anthologised in a number of books. Natalia has performed poetry and facilitated creative writing workshops at high schools, universities and festivals in Nigeria, Senegal, Kenya, Zimbabwe, England, Italy, Azerbaijan, Argentina, Palestine, Germany and the USA, among other countries.
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