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The UK alternative rock band, Manic Street Preachers, were and remain one of the most interesting, significant, and best-loved bands of the past thirty years. Their third album The Holy Bible (1994) is generally acknowledged to be their most enduring and fascinating work, and one of the most compelling and challenging records of the nineties. Triptych reconsiders The Holy Bible from three separate, intersecting angles, combining the personal with the political, history with memory, and popular accessibility with intellectual attention to the album's depth and complexity.
Rhian E. Jones is a writer, critic, and broadcaster from South Wales. She is co-editor of Red Pepper and writes for Tribune magazine. Her books include Clampdown: Pop-Cultural Wars on Class and Gender; Petticoat Heroes: Gender, Culture and Popular Protest, Triptych: Three Studies of Manic Street Preachers' The Holy Bible; the anthology Under My Thumb: Songs That Hate Women and the Women Who Love Them; and Paint Your Town Red: How Preston Took Back Control and Your Town Can Too.
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