Fenrir
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It was just a dot of light . . .
. . . a dot of light that appeared out of nowhere. Stephanie Bronson thought she might have found a distant supernova. Instead, what she'd found was something more than a thousand miles across, moving towards the Sun at almost a third the speed of light from the constellation of Lupus, the Wolf. Even more frightening, the object--called Fenrir, after the Norse Wolf of the World's End--was slowing down. It was not a comet or even a rogue planet.
It was an alien vessel.
And despite the increasingly detailed and insistent messages of greeting from Earth, it showed no sign of responding. As the world braced itself for the arrival of the immense, frighteningly silent alien visitor, Stephanie held hope that they still might communicate with Fenrir--until something happened that no one had imagined: Fenrir flared and its drive died, leaving the huge ship careening out of control to a fiery death inside the orbit of Venus.
There was--just possibly--a chance for Earth to act--to rescue the now-shipwrecked "Fens." But even Stephanie--or those trying to stop her and the rescue ship Carpathia--could not imagine that not merely the fate of the aliens, but that of Earth itself, would be decided by Fenrir.
Ryk E Spoor
Ryk E. Spoor was born in Omaha, Nebraska, and has lived in South Dakota, Georgia, New York, and Pennsylvania. Severe asthma forced him to spend most of his childhood reading and, by the time he was six, writing. While he began reading fantasy such as Oz and science fiction starting with Jules Verne's 20,000 Leagues Under the Sea, it was his 5th grade teacher that sent him on the course that would make him a science-fiction author, by lending Ryk a battered copy of E.E. "Doc" Smith's Second-Stage Lensmen; this sent him on a reading spree that devoured every science-fiction book he encountered for the next ten years, and instilled in him the conviction that being a science-fiction author was the greatest possible profession anyone could aspire to. At the turn of the 21st century, Ryk succeeded in achieving this ambition by first launching a clever plan to be published through the diabolical strategem of insulting Eric Flint in public. (Note that neither Eric nor Ryk recommend anyone else attempt his strategy.) Subsequently, Eric brought Ryk's work to the attention of Baen Books, culminating in the publication of Digital Knight, and subsequently two stories with Eric Flint ("Diamonds Are Forever" and Boundary). His next solo novel Grand Central Arena was released in April 2010, followed in June by the sequel to Boundary, titled Threshold. More recently he has completed release on the Balanced Sword trilogy (Phoenix Rising, Phoenix in Shadow, and Phoenix Ascendant) and released his first self-published novel, Polychrome. His most recent works as of 2018 are the magical girl-based novel Princess Holy Aura, the first volume in a space opera trilogy Demons of the Past, titled Revelation, and the first novel in the Fall of Veils series, titled French Roast Apocalypse. Ryk Spoor is also Research and Development Coordinator for International Electronic Machines (IEM), where he has obtained funding for and directed/assisted in research into wireless MEMS sensor systems, power harvesting, smart video security systems, and other related fields; he holds several patents in these areas. He lives in Troy, New York, with his wife Kathleen and their four children Christopher, Gabriel, Victoria, and Domenica.
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