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2020 GOLD WINNER OF THE FOREWORD INDIES AWARD IN ART
Alex Katz has found his audience. It's not the first time. Over seven decades, the artist has developed his vision with determination as the tides of avant-garde and academic fashion ebbed and flowed. His first audience was other painters (including de Kooning and Philip Guston), and today, still, he is perhaps best understood by other artists: those who appreciate how difficult it is to make something so simple, so well. Working in a representational style while his classmates celebrated Abstract Expressionism, eschewing slick surfaces for a pared-down view while his peers went glossy with Pop, Katz cleaved to one vision, a few locations, and subjects. Katz's endurance and commitment to developing an original American style is explored in depth, from his boyhood influences to an artistic circle that included John Ashbery, Ted Berrigan, Lois Dodd, Kenneth Koch, Frank O'Hara, Fairfield Porter, Yvonne Rainer, Larry Rivers, and Paul Taylor.
Sketches, works on paper, and archival material selected by the artist's son, the poet Vincent Katz, give a fuller picture of the painter and his world. The more than 250 paintings--reproduced at an unprecedented scale--will be the most comprehensive collection available in a single publication.
Carter Ratcliff is a poet who writes about art. He first published his poetry in The World and other magazines in the orbit of the St. Mark's Poetry Project, in downtown Manhattan. In recent years poems of his have appeared in The Sienese Shredder, The Mississippi Review, Cimarron Review, Hudson River Art, Vanitas, Cover Magazine, among other journals; and in INFILTRATION: AN ANTHOLOGY OF INNOVATIVE POETRY FROM THE HUDSON VALLEY (Station Hill, 2015); The KGB Bar Book of Poems (Harper Perennial, 2000); and Poetry After 9/11: An Anthology of New York Poets (Melville House, 2001). His books include Fever Coast (Kulchur Press, 1973); Give Me Tomorrow (Vehicle Press, 1983); ARRIVEDERCI, MODERNISMO (Libellum Press, 2004); and TEQUILA MOCKINGBIRD (Station Hill Press, 2015). A Contributing Editor of Art in America, Ratcliff has published art criticism in leading journals in the United States and Europe, as well as catalogs published by the Museum of Modern Art; El Museo del Barrio; the Guggenheim Museum; the Royal Academy, London; the Stedelijk Museum, Amsterdam; and other institutions. Among his books on art are The Fate of a Gesture: Jackson Pollock and Postwar American Art (Farrar, Straus and Giroux, 1996); Out of the Box: The Reinvention of Art 1965-1975 (Allworth Press, 2000); and Andy Warhol: Portraits (Phaidon Press, 2006). Since 2003, Ratcliff has lived with his wife, Phyllis Derfner, in the Hudson River Valley.
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