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Exuberant monotypes play with the effects of light and movement in the changing cityscape
Born in London in 1943, Bill Jacklin moved to New York in 1985. Since then he has concentrated on making portraits of the city in all its guises, from large-scale compositions of crowds in flux to Seurat-like etchings depicting more intimate urban moments.
Nancy Campbell is an independent curator of Inuit and Canadian contemporary art. She has curated exhibitions for the Liverpool Biennial, The Power Plant Contemporary Art Gallery, Art Gallery of Ontario, and McMichael Canadian Art Collection. Her books include Shuvinai Ashoona: Life & Work, Annie Pootoogook: Cutting Ice, and Itee Pootoogook: Hymns to the Silence.
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