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E.F. Benson, best known for his elegant prose and refined horror, delivers a haunting masterwork in The Room, a psychological ghost story where the setting itself becomes the antagonist.
When a man inherits an old house, he is warned of one locked room-unassuming, unused, and curiously avoided by all who once lived there. Intrigued and skeptical, he enters... and awakens something ancient and malevolent that has been waiting in the silence.
This modern translation captures Benson's uncanny ability to build dread through atmosphere, suggestion, and the uncanny familiarity of domestic spaces turned hostile. A must-read for fans of ghost stories that prioritize mood over gore, and mystery over explanation.
What You'll Discover in This Modern Translation:
With his signature restraint and literary polish, Benson proves that the most terrifying monsters may be the ones we can't quite see-and that some spaces should remain locked forever.
Edward Frederic Benson (1867–1940) was an English novelist, biographer, memoirist, archaeologist, and short story writer. Benson was the son of the Archbishop of Canterbury and member of a distinguished and eccentric family. After attending Marlborough and King’s College, Cambridge, where he studied classics and archaeology, he worked at the British School of Archaeology in Athens. A great humorist, he achieved success at an early age with his first novel, Dodo(1893). Benson was a prolific author, writing over one hundred books including serious novels, ghost stories, plays, and biographies. But he is best remembered for his Lucia and Mapp comedies written between 1920 and 1939 and other comic novels such as Paying Guests and Mrs Ames. Benson served as mayor of Rye, the Sussex town that provided the model for his fictional Tilling, from 1934 to 1937.
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