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The gathering includes one of Welty's earliest stories, "Acrobats in the Park"; a self-analysis of her art printed in the Twenty Photographs portfolio; a recipe for Aunt Beck's Chicken Pie served up in the novel Losing Battles; and a parody of Edmund Wilson's scurrilous New Yorker review of one of William Faulkner's late novels. These occasional essays, tributes, stories, and comments will delight readers and reveal more of the genius of a favorite author deeply engaged with her people and their customs.
In these pieces Welty put pen to paper for just causes: electing honorable officials, selling war bonds, and promoting reading and the arts. Her sophistication and insight resonate in tributes to Isak Dinesen, Flannery O'Connor, and Walker Percy; in reviews of sculpture, painting, dance, and photography; and in her candid remarks about her Pulitzer Prize-winning novel, The Optimist's Daughter. Her sly humor emerges in "Women!! Make Turban in Own Home!," a delightful parody of projects suggested in Popular Mechanics. Written between the 1930s and the 1990s, these fictions, essays, commemorations, reviews, and salutes reveal the sparkling imagination of a celebrated writer who continues her hold on a wide audience through these selections.
EUDORA WELTY (1909–2001) was born in Jackson, Mississippi, and attended the Mississippi State College for Women, the University of Wisconsin, and Columbia University (where she studied advertising). In addition to short fiction, Welty wrote novels, novellas, essays, and reviews, and was the winner of both the National Book Award and the Pulitzer Prize.
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