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Global James Bond: (Re) Imagining and Transplanting a Popular Culture Icon focuses on the ambivalent yet fascinating interplay between the global and the local in the longest running film franchise in history. It explores how James Bond established itself as a global standard for action-spy film making and even as a minor global cinema (i.e. imagining), and hot the franchise subsequently inspired a series of genre bending, blending, and breaking in local visual and some literary contexts (i.e. reimagining and transplanting). The chapters in this collection consider how the world is envisaged in the official series and subsequently reinterpreted on local and regional levels and how investments with alternative meanings might run counter to the dominant representational and geo-political logics of the novels and filmic texts. Global James Bond is a starting point for further conversation and exchange over an extraordinary film franchise.
Lisa Funnell is Assistant Professor in the Women's and Gender Studies Program at the University of Oklahoma, where she is also an affiliated faculty member of the Film and Media Studies Program and the Center for Social Justice. She is the coeditor (with Philippa Gates) of Transnational Asian Identities in Pan-Pacific Cinemas: The Reel Asian Exchange.
Klaus Dodds is professor of geopolitics at Royal Holloway, University of London, and a fellow of the Academy of Social Sciences. He is a leading authority on geopolitics and is often invited to join panels at events and in the media (including on BBC TV and radio) on the subject of border issues. He has written a number of books for a variety of popular and academic audiences, including for Oxford University Press's Very Short Introduction series, and since 2006, he has written a monthly geopolitics column for Geographical Magazine. Dodds is a recipient of the Philip Leverhulme Prize, awarded to "outstanding researchers whose work has already attracted international recognition and whose future career is exceptionally promising."
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