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Shortlisted, 2025 Baifang Schell Book Prize, China Books Review
Fang Fang’s Soft Burial begins with a mysterious, nameless protagonist. Decades earlier she was pulled out of a river in a state of near-death; upon regaining consciousness, she discovered that her entire memory had been erased. The narrative follows her journey through recovery as she takes a job as a housekeeper in the home of a powerful cadre, marries the doctor who saved her, and starts a family of her own. As the story unfolds, the protective cocoon of amnesia that her subconscious wove around her begins to give way, revealing glimpses of her previous life and the unspeakable trauma that she suffered.
Soft Burial is one of the most remarkable—and most controversial—recent works of Chinese literature. Part mystery, part historical fiction, and part social exposé, the novel intercuts different generations, regions, and time periods. First published in 2016, Soft Burial initially received critical acclaim but soon faced a wave of denunciations and was taken off the shelves of bookstores throughout China. Fang Fang challenged the unspoken rules that govern how Chinese writers portray the past by depicting the human costs of the Land Reform Campaign in the late 1940s and early 1950s, and she was attacked for expressing sympathy toward members of the “landlord class.” An intimate portrait of historical trauma and the psychological toll of repressed violence, Soft Burial is a landmark in contemporary Chinese fiction.
Translated by
Michael Berry is Professor of Contemporary Chinese Cultural Studies and Director of the Center for Chinese Studies at UCLA. He is the author of several books on Chinese film and culture, including Speaking in Images and A History of Pain. He has served as a film consultant and a juror for numerous film festivals, including the Golden Horse (Taiwan) and the Fresh Wave (Hong Kong). He is also the translator of several novels, including To Live, The Song of Everlasting Sorrow, and Remains of Life.
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