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In After Life Nietzsche has a walk-on part, though one can hear Marx - old Karl - scribbling in the wings. Here and back again - as in music, so in life and afterwards.
Shards is a kind of memoir - a scramble of memories by the senile, and then the chivvying by new protagonists to whom the past and present must be junked.
Caving shows how our fumble with reality, disaster and survival provides us with enough uncertainty to hazard a fresh through - naturally, of liar dice. The whole is unpalatable, for sure - does it assist us to be modest, circumspect? Or quite the opposite.
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