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Art in the space between magic and activism: an introduction to the participatory, multimedia creations of Glenn Kaino
Published with MASS MoCA.
Published for the Los Angeles-based interdisciplinary artist Glenn Kaino's (born 1972) largest exhibition to date, In the Light of a Shadow, this book showcases his work and how art can chronicle parallel trajectories of disparate political and geographical contexts, utilizing history to speak about our present, and art to facilitate political action and hope. Kaino has built his career in the space between these two; creating projects that are based on the magic of trust, fair promises and righting the lapses in memory and omissions of history, all while creating beautifully hopeful and immersive installations.
This Book Is a Promise is organized in a galaxy-like structure, with different aspects of Kaino's production over the years represented as intertwined constellations. Additionally, the book reads in two directions, Memory and Promise, each with their own cover. The Memory side presents a retrospective survey, while the Promise surveys the MASS MoCA exhibition. Themes explored include equity, visibility, belief, regeneration and space-making. This publication gives context to Kaino's diverse practice, provides promises for people to follow to live in a better, more humane world and serves as a field guide to being human.
Amir Ahmadi Arian started out as a journalist in Iran in 2000 and has since published a collection of stories, a nonfiction book, and two novels in Persian. He also translated from English to Persian novels by E.L Doctorow, Paul Auster, P.D. James, and Cormac McCarthy. Since leaving Iran in 2011 to complete a PhD in comparative literature at the University of Queensland, Australia, he has published short stories and essays in Michigan Quarterly Review, Guernica, The New York Times, and The Guardian. He currently lives in New York where he earned an MFA in the NYU Creative Writing Program as The Axinn Foundation/E.L. Doctorow Fellowship recipient, and teaches literature and creative writing at CUNY City College.
Brian Dooley is a longtime human rights activist specializing in supporting Human Rights Defenders working amid revolutions, armed conflict, and severe repression. He is an Honorary Professor of Practice at Queen's University Belfast, a Visiting Scholar at University College London, and a Senior Advisor at Human Rights First. From 2020 to 2023, Dooley served as Senior Advisor to the United Nations Special Rapporteur on Human Rights Defenders. In 2025, he received the University of Oslo Human Rights Award. He is the author of several books on civil rights and the Northern Ireland conflict.
Denise Markonish is the Chief Curator at MASS MoCA. Her exhibitions include Jeffrey Gibson: POWER FULL BECAUSE WE'RE DIFFERENT; Joseph Grigely: In What Way Wham?; Amy Yoes: Hot Corners; Marc Swanson: A Memorial to Ice at the Dead Dear Disco (MASS MoCA and Thomas Cole National Historic Site, Catskill, NY); Lily Cox-Richard: Weep Holes; Amy Hauft: Terra, Luna, + Sol; Glenn Kaino: In the Light of a Shadow; Suffering from Realness; Trenton Doyle Hancock, Mind of the Mound: Critical Mass; Nick Cave: Until (co-organizers Carriageworks, Sydney, Australia, and The Momentary, Bentonville, AK; traveled to Tramway, Glasgow, Scotland); Explode Every Day: An Inquiry into the Phenomena of Wonder; Teresita Fernández: As Above So Below; Oh, Canada (traveled to Alberta, New Brunswick, and Prince Edward Island); Nari Ward: Sub Mirage Lignum; These Days: Elegies for Modern Times; and Badlands: New Horizons in Landscape. She has worked on long-term projects with Laurie Anderson and has commissioned works by Sarah Oppenheimer, Stephen Vitiello, Julianne Swartz, Mark Dion, and many others. Markonish has produced numerous exhibition catalogs and has guest edited the books Teresita Fernández: Wayfinding (DelMonico) and Wonder: 50 Years of RISD Glass, and co-edited Sol LeWitt: 100 Views (Yale University Press). She has taught at Williams College and the Rhode Island School of Design, was a visiting curator at Artpace, San Antonio, and Haystack School of Craft, Deer Isle, Maine.
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