Book cover for Picture Worlds: Storytelling on Greek, Moche, and Maya Pottery by David Saunders and Megan E O'Neil

Picture Worlds

Storytelling on Greek, Moche, and Maya Pottery

2024 Released
208 Pages
3-4 Hours
Ebook Unavailable
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J. Paul Getty MuseumISBN 9781606069059
This abundantly illustrated volume is the first to explore the painted pottery of the ancient Greek, Moche, and Maya cultures side by side.

Satyrs and sphinxes, violent legumes, and a dancing maize deity figure in the stories painted on the pottery produced by the ancient Greek, Moche, and Maya cultures, respectively. Picture Worlds is the first book to examine the elaborately decorated terracotta vessels of these three distinct civilizations. Although the cultures were separated by space and time, they all employed pottery as a way to tell stories, explain the world, and illustrate core myths and beliefs. Each of these painted pots is a picture world. But why did these communities reach for pottery as a primary method of visual communication? How were the vessels produced and used? In this book, experts offer introductions to the civilizations, exploring these foundational questions and examining the painted imagery. Readers will be rewarded with a better understanding of each of these ancient societies, fascinating insights into their cultural commonalities and differences, and fresh perspectives on image making and storytelling, practices that remain vibrant to this day.

This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Villa from April 10 to July 29, 2024, and at the Michael C. Carlos Museum at Emory University from September 14 to December 15, 2024.

Megan E O'Neil

Megan E. O'Neil is associate professor of art history at Emory University and is a specialist in the ancient Maya and other Mesoamerican cultures. She received her doctorate in the history of art from Yale University. One aspect of her research focuses on ancient Maya creation of and engagement with stone sculptures, explored in her first book, Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala (Oklahoma), and Memory in Fragments: The Lives of Ancient Maya Sculptures (Texas). She also published a revised edition of Maya Art and Architecture (Thames and Hudson, co-authored with Mary Miller), The Maya (Reaktion), and articles in journals and edited volumes about Maya sculpture, painting, and ceramics that address topics such as iconoclasm, touch and tactility, and materiality, as well as histories of collecting and the reception of Mesoamerican art and culture into the modern day.

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